Gucci man. All about Gucci man.
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MILAN, 21 - GO February, 2007 - when Frida Giannini showed sufficiently, fortiyes-.vliyaemye on, it was floral -.pecataemye the dress of silk and blouse in its first meeting for Gucci, they were commercial impact. This drop, afterward to maneuver through disco glam-.utesa and frocks the last summer folkloric, it returned to vintage-.voodushevlyannyy dressmaking. "I read the biography of shelters Miller, woman which beginning as model, he became friend surrealists, also, after this photographer war for the British woman Vogue- A of strong with both sides to it," it explained, dobavlyayushch, "I thought about dresses thirties and forties, with the high waists and the attention in the arm." As new proposal for Gucci in it is less era sexed-up, dresses worked. Giannini fell press and to work on the silhouette with the zasopetymi arms and the draft, by dlinnimi bushings which strike the right note pokrynno1-vverx of femininity, albeit with the the small peeks plunging neckline or naked nazad-.etogo fixed Gucci, after all. In the form of the fact that idea forties acquires traction this season, this odevaet- is special black gowns fascinations finale with embroideries suns -.luca Schiaparelli-esque on the arms -.upravl�mye of this part of meeting in line with of obshcheyea the management of method on the large of contrast, tweedy knickers and vaguely jackets Tyrolean in daywear division seemed more outside on the limb, and large duffel tote-.tote-shiyelded as the season of dolzhn- meshk-.propuskalo ineffable quality "it," no matter how insistently was shown. There were eye-catching parts, although, as the tiny bomber of suede burgundy balanced with the skin, voodushevlyannaya by archives seventies Of guchchi's, and pair assertively patchworked of fur directed it is square to the taste the rock -.qyplenoka of T-section die-hard accurately
MILAN, 21 - GO February, 2007 - when Frida Giannini showed sufficiently, fortiyes-.vliyaemye on, it was floral -.pecataemye the dress of silk and blouse in its first meeting for Gucci, they were commercial impact. This drop, afterward to maneuver through disco glam-.utesa and frocks the last summer folkloric, it returned to vintage-.voodushevlyannyy dressmaking. "I read the biography of shelters Miller, woman which beginning as model, he became friend surrealists, also, after this photographer war for the British woman Vogue- A of strong with both sides to it," it explained, dobavlyayushch, "I thought about dresses thirties and forties, with the high waists and the attention in the arm." As new proposal for Gucci in it is less era sexed-up, dresses worked. Giannini fell press and to work on the silhouette with the zasopetymi arms and the draft, by dlinnimi bushings which strike the right note pokrynno1-vverx of femininity, albeit with the the small peeks plunging neckline or naked nazad-.etogo fixed Gucci, after all. In the form of the fact that idea forties acquires traction this season, this odevaet- is special black gowns fascinations finale with embroideries suns -.luca Schiaparelli-esque on the arms -.upravl�mye of this part of meeting in line with of obshcheyea the management of method on the large of contrast, tweedy knickers and vaguely jackets Tyrolean in daywear division seemed more outside on the limb, and large duffel tote-.tote-shiyelded as the season of dolzhn- meshk-.propuskalo ineffable quality "it," no matter how insistently was shown. There were eye-catching parts, although, as the tiny bomber of suede burgundy balanced with the skin, voodushevlyannaya by archives seventies Of guchchi's, and pair assertively patchworked of fur directed it is square to the taste the rock -.qyplenoka of T-section die-hard accurately
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